Capossela alla n.1
(www.newsic.it – redazione – 31 gennaio 2006)

A poco più di una settimana dalla sua pubblicazione, entra direttamente al primo posto in classifica il nuovo lavoro di Vinicio Capossela, “Ovunque Proteggi”, il sesto album di inediti della sua carriera.  
Per Vinicio Capossela si tratta del miglior piazzamento di sempre –  che supera abbondantemente quello conseguito da “Canzoni a manovella” (2000), arrivato fino al sesto posto in classifica – a riconferma dell’apprezzamento del pubblico per un artista che da sempre segue una strada unica e lontana dai clamori del music business, fatta di qualità e dedizione alla sua musica.
Concepito e scritto nel corso dello scorso anno, “OVUNQUE PROTEGGI” è stato registrato inseguendo la musica e le vicende del disco nei luoghi in cui si erano manifestate: "Ho deciso di intendere i brani come ognuno a se stante, a ognuno un luogo, a ognuno i suoi musicisti", spiega Capossela. "Il risultato è stato portare ciascun brano all’estremo delle sue potenzialità, ciascuno in fondo alla sua suggestione".  
Alle registrazioni dell’album hanno partecipato importanti musicisti italiani e internazionali come il violoncellista Mario Brunello, Ares Tavolazzi, Roy Paci, il compositore e arrangiatore Stefano Nanni, Marc Ribot, Gak Sato. Lo stesso Vinicio Capossela ha curato in prima persona la produzione dei brani, avvalendosi per la realizzazione dell’album della collaborazione di Pasquale Minieri, che con lui aveva già lavorato – in veste di produttore – al precedente album di studio, “Canzoni a manovella”. 
Pubblicato nella sua prima tiratura in confezione digipack, e impreziosito dall’artwork curato dallo studio grafico catanese Etcetera di Jacopo Leone (www.etcetera.it) e dalle foto di Valerio Spada, “OVUNQUE PROTEGGI” contiene 14 nuove composizioni su 13 tracce.  La pubblicazione dell’album è stata anticipata dall’uscita di un singolo, “Dalla parte di Spessotto”, in rotazione radiofonica dallo scorso 6 gennaio.
A breve partirà anche il tour di Vinicio Capossela, OVUNQUE PROTEGGI TOUR 2006, il cui debutto è previsto per il giorno di San Valentino, 14 febbraio, ad Avellino.

“Crazy english summer”
Faithless dall’album “Outrospective”, 2001

Fields of fire that passed the train
The sky is victorious but here comes the rain
Friday is taking me home again,
And I’ve nothing but you on my mind.

Grass is greener without the pain,
I think that I’m changing but I’m just the same
My sun is a ascending again
And I’ve nothing but you on my mind

Sometimes I feel like I’m glad to be free,
Sometimes I still want your arms around me
Sometimes I’m glad to have left you behind,
The Crazy English Summer has put you back on my mind.
Life’s a riot a lover a friend,
Pity the day that it has to end
Friday come speed me home again,
I’ve nothing but you on my Mind.

Sometimes I feel like i’m fine on my own,
Fifty Thousand miles from home.
Sometimes I’m weak and the past is my guide,
Summer returns and puts you back on my mind

Software: il P2P criptato e sicuro si chiama Pando
Un sistema alternativo per il file-sharing che usa il tradizionale indirizzo email
(Nicola Bruno – www.itnews.it – 30/01/06)

Il file sharing non conosce confini. L’ultima trovata in campo di peer 2 peer (P2P) si chiama ‘Pando’, un programma che sfrutta la classica tecnologia dell’email per mettere in condivisione tra gli utenti file anche di grandi dimensioni.
Il suo funzionamento è molto semplice: si scarica il programma, si installa, si crea un account al servizio, registrandosi con il proprio indirizzo email, e si invia un file ad un altro utente. Unica limitazione: anche il destinatario, colui che riceve il file, deve essere iscritto al servizio.
Vantaggi: la registrazione al servizio, lo scaricamento del file di setup e l’installazione del programma sono completamente gratuiti. Si possono condividere non solo singoli file ma anche intere cartelle. Il trasferimento dei file è completamente criptato, il che significa massima sicurezza e privacy nella condivisione dei contenuti.
Inoltre con questo sistema si può ovviare sia al limite di spazio offerto dai tradizionali servizi di posta che alla dimensione massima dei file allegati al messaggio di posta. La versione del programma attualmente disponibile, la beta, permette comunque di inviare file della grandezza massima di un Gigabyte. Tuttavia gli allegati con estensione proprietaria “.pando” possiedono dimensioni molto ridotte che evitano quindi l’intasamento della casella ‘posta in arrivo’.
Ovviamente un sistema del genere va oltre il ‘peer 2 peer’ come lo si conosce adesso, poichè risulta molto utile a chi ha la necessità di spedire via email file di grandi dimensioni. Non è difficile quindi immaginare in futuro il suo utilizzo anche in ambito aziendale e/o professionale.
Estremamente semplice ed intuitivo il funzionamento dell’applicazione: per mandare un allegato con ‘Pando’, è sufficiente trascinare il file in questione sulla finestra del programma, indicare l’indirizzo email del destinatario e dare un nome al trasferimento.
Con questo nuovo programma di file-sharing pare che si riesca a sfruttare quasi appieno la propria larghezza di banda in upload, ossia si può raggiungere facilmente i limiti massimi di velocità della linea. Nelle prove effettuate dal blog ‘Mambro.it’ si è raggiunta una media costante di 450 Kb/s, usando una ADSL che viaggiava a 4Mbit/s. Lo stesso sito, per un utilizzo ottimale del sistema ‘Pando’, consiglia di settare il firewall in certo modo, aprendo cioè le porte: 5222 – 5223 TCP (per la messaggistica di stato), 4321 TCP (per il tracker), 56065 TCP e UDP (per il traferimento dei file).
Il software ‘Pando’ è stato creato da ‘Pando Networks’, una piccola società di New York, ed è disponibile per piattaforma sia Windows che Mac. Il 27 gennaio è stata rilasciata l’ultima versione, la 0.85 – ancora beta – per Windows. Il sito ufficiale del programma garantisce che nel file d’installazione non è compreso alcun software maligno come spyware o adware.

Eccezzziunale veramente

di Carlo Vanzina (Italia, 1982)
con Diego Abbatantuono, Stefania Sandrelli,
Massimo Boldi, Teo Teocoli, Guido Nicheli, Ugo Conti

Piccolo film trash che è diventato un cult per gli amanti del genere, nonostante quando arrivò nei cinema (più di 23 anni fa) alcuni critici lo tacciarono di una "comicità che dura una stagione". Pur avendo sempre saputo di che cosa trattasse, non avevo mai avuto l’onore di vedere questa pellicola; adesso però l’uscita del secondo capitolo non ammette scuse. Bisognava conoscere il primo e storico episodio. Anche in attesa di approcciare il nuovo. 
La trama è più che nota. Abbatantuono interpreta tre tifosi sfegatati: il camionista juventino Tirzan, il capo degli ultras milanisti Donato e l’interista Franco. Tutto gira intorno al linguaggio e ai modi di fare del celeberrimo ‘Terrungiello’. Le storie sono solo funzionali alla messa in scena dell’essere meridionale fieramente ignorante e sguaiato.
Il trio Abbatantuono-Teocoli-Boldi è da antologia. Spassosissima la scena girata alla stazione di Avellino. Molto divertente anche lo scherzo che i tre organizzano nel bar ai danni del Cummenda (Guido Nicheli).
Da vedere per non restare in disparte quando i coetanei ne iniziano a discutere estasiati. Film generazionale.

La scheda di Cinematografo.it e quella di FilmUp Leonardo.

“Rapper’s Delight”
Sugarhill Gang (Wonder Mike, Big Bank Hank, Master Gee)
sulla base del brano degli Chic “Good Times”

i said a hip hop a hippie to the hippie
to the hip hip hop, you dont stop
a rockin to the bang bang boogy say upchuck the boogy,
to the rhythm of the boogity beat.

now what you hear is not a test–i’m rappin to the beat
and me, the groove, and my friends are gonna try to move your feet
see i am wonder mike and i like to say hello
to the black, to the white, the red, and the brown, the purple and yellow
but first i gotta bang bang the boogie to the boogie
say up jump the boogie to the bang bang boogie
let’s rock, you dont stop
rock the riddle that will make your body rock
well so far youve heard my voice but i brought two friends along
and next on the mike is my man hank
come on, hank, sing that song

check it out, i’m the c-a-s-an-the-o-v-a
and the rest is f-l-y
ya see i go by the code of the doctor of the mix
and these reasons i’ll tell ya why
ya see i’m six foot one and i’m tons of fun
and i dress to a t
ya see i got more clothes than muhammad ali and i dress so viciously
i got bodyguards, i got two big cars
that definitely aint the wack
i got a lincoln continental and a sunroof cadillac
so after school, i take a dip in the pool
which really is on the wall
i got a color tv so i can see
the knicks play basketball
hear me talkin bout checkbooks, credit cards
more money than a sucker could ever spend
but i wouldnt give a sucker or a bum from the rucker
not a dime til i made it again
ya go hotel motel whatcha gonna do today (say what)
ya say im gonna get a fly girl gonna get some spankin
drive off in a def oj
everybody go, hotel motel holiday inn
say if your girl starts actin up, then you take her friend
master gee, am I mellow
its on you so what you gonna do

well it’s on n on n on on n on
the beat dont stop until the break of dawn
i said m-a-s, t-e-r, a g with a double e
i said i go by the unforgettable name
of the man they call the master gee
well, my name is known all over the world
by all the foxy ladies and the pretty girls
i’m goin down in history
as the baddest rapper there could ever be
now i’m feelin the highs and ya feelin the lows
the beat starts gettin into your toes
ya start poppin ya fingers and stompin your feet
and movin your body while youre sittin in your seat
and the damn ya start doin the freak
i said damn, right outta your seat
then ya throw your hands high in the air
ya rockin to the rhythm, shake your derriere
ya rockin to the beat without a care
with the sureshot m.c.s for the affair
now, im not as tall as the rest of the gang
but i rap to the beat just the same
i dot a little face and a pair of brown eyes
all im here to do ladies is hypnotize
singin on n n on n on n on
the beat dont stop until the break of dawn
singin on n n on n on on n on
like a hot buttered a pop da pop da pop dibbie dibbie
pop da pop pop ya dont dare stop
come alive yall gimme what ya got
i guess by now you can take a hunch
and find that i am the baby of the bunch
‘but that’s okay i still keep in stride
cause all i’m here to do is just wiggle your behind
singin on n n on n on n on
the beat dont stop until the break of dawn
singin on n n on n on on n on
rock rock yall throw it on the floor
im gonna freak ya here im gonna feak ya there
im gonna move you outta this atmosphere
cause im one of a kind and ill shock your mind
ill put t-t-tickets in your behind
i said 1-2-3-4, come on girls get on the floor
a-come alive, yall a-gimme what ya got
cause im guaranteed to make you rock
i said 1-2-3-4 tell me wonder mike what are you waitin for?

i said a hip hop the hippie to the hippie
the hip hip hop, a you dont stop
the rock it to the bang bang boogie say up jumped the boogie
to the rhythm of the boogie, the beat
skiddlee beebop a we rock a scoobie doo
and guess what america we love you
cause ya rock and ya roll with so much soul
you could rock till you’re a hundred and one years old
i dont mean to brag i dont mean to boast
but we like hot butter on our breakfast toast
rock it up baby bubbah
baby bubbah to the boogie da bang bang da boogie
to the beat beat, its so unique
come on everybody and dance to the beat

i said a hip hop the hippie the hippie
to the hip hip hop, a you dont stop
a rock on, pretty bubba to the boogity bang, bang,
the boogie to the boogity beat.

i said i cant wait til the end of the week
when im rappin to the rhythm of a groovy beat
and attempt to raise your body heat
just blow your mind so that you cant speak
and do a thing but a rock and shuffle your feet
and let it change up to a dance called the freak
and when ya finally do come in to your rhythmic beat
rest a little while so ya dont get weak
i know a man named hank
he has more rhymes than a serious bank
so come on hank sing that song
to the rhythm of the boogie da bang bang da bong

well, im imp the dimp the ladies pimp
the women fight for my delight
but im the grandmaster with the three mcs
that shock the house for the young ladies
and when you come inside, into the front
you do the freak, spank, and do the bump
and when the sucker mcs try to prove a point

we’re treacherous trio, we’re the serious joint
a from sun to sun and from day to day
i sit down and write a brand new rhyme
because they say that miracles never cease
i’ve created a devastating masterpiece
i’m gonna rock the mike til you cant resist
everybody, i say it goes like this
well i was comin home late one dark afternoon
a reporter stopped me for a interview
she said she’s heard stories and she’s heard fables
that i’m vicious on the mike and the turntables
this young reporter i did adore
so i rocked a vicious rhyme like i never did before
she said damn fly guy im in love with you
the casanova legend must have been true
i said by the way baby what’s your name
said i go by the name of lois lane
and you could be my boyfiend you surely can
just let me quit my boyfriend called superman
i said he’s a fairy i do suppoose
flyin through the air in pantyhose
he may be very sexy or even cute
but he looks like a sucker in a blue and red suit
i said you need a man who’s got finesse
and his whole name across his chest
he may be able to fly all through the night
but can he rock a party til the early light
he cant satisfy you with his little worm
but i can bust you out with my super sperm
i go do it, i go do it, i go do it, do it , do it
an i’m here an i’m there i’m big bang hank, im everywhere
just throw your hands up in the air
and party hardy like you just dont care
let’s do it dont stop yall a tick a tock yall you dont stop
go hotel motel what you gonna do today(say what)
im gonna get a fly girl gonna get some spank drive off in a def oj
everybody go hotel motel holiday inn
you say if your girl starts actin up then you take her friend
i say skip, dive, what can i say
i cant fit em all inside my oj
so i just take half and bust them out
i give the rest to master gee so he could shock the house

it was twelve o’clock one friday night
i was rockin to the beat and feelin all right
everybody was dancin on the floor
doin all the things they never did before
and then this fly fly girl with a sexy lean
she came into the bar, she came into the scene
as she traveled deeper inside the room
all the fellas checked out her white sasoons
she came up to the table, looked into my eyes
then she turned around and shook her behind
so i said to myself, its time for me to release
my vicious rhyme i call my masterpiece
and now people in the house this is just for you
a little rap to make you boogaloo
now the group ya hear is called phase two
and let me tell ya somethin we’re a helluva crew
once a week we’re on the street
just a-cuttin’ the jams and making it free
for you to party ya got to have the movies
so we’ll get right down and give you the groove
for you to dance you gotta get hype
so we’ll get right down for you tonight
now the system’s on and the girls are there
ya definitely have a rockin affair
but let me tell ya somethin there’s still one fact
that to have a party ya got to have a rap
so when the party’s over you’re makin it home
and tryin to sleep before the break of dawn
and while ya sleepin ya start to dream
and thinkin how ya danced on the disco scene
my name appears in your mind
yeah, a name you know that was right on time
it was phase two just a doin a do
rockin ya down cause ya know we could
to the rhythm of the beat that makes ya freak
come alive girls get on your feet
to the rhythm of the beat to the beat the beat
to the double beat beat that it makes ya freak
to the rhythm of the beat that says ya go on
on n on into the break of dawn
now i got a man comin on right now
he’s guaranteed to throw down
he goes by the name of wonder mike
come on wonder mike do what ya like

like a can of beer that’s sweeter than honey
like a millionaire that has no money
like a rainy day that is not wet
like a gamblin fiend that does not bet
like dracula with out his fangs
like the boogie to the boogie without the boogie bang
like collard greens that dont taste good
like a tree that’s not made out of wood
like goin up and not comin down
is just like the beat without the sound no sound
to the beat beat, ya do the freak
everybody just rock and dance to the beat
have you ever went over a friends house to eat
and the food just aint no good
i mean the macaroni’s soggy the peas are mushed
and the chicken tastes like wood
so you try to play it off like you think you can
by sayin that youre full
and then your friend says momma he’s just being polite
he aint finished uh uh that’s bull
so your heart starts pumpin and you think of a lie
and you say that you already ate
and your friend says man there’s plenty of food
so you pile some more on your plate
while the stinky foods steamin your mind s
tarts to dreamin
of the moment that it’s time to leave
and then you look at your plate and your chickens slowly rottin
into something that looks like cheese
oh so you say that’s it i got to leave this place
i dont care what these people think
im just sittin here makin myself nauseous
with this ugly food that stinks
so you bust out the door while its still closed
still sick from the food you ate
and then you run to the store for quick relief
from a bottle of kaopectate
and then you call your friend two weeks later
to see how he has been
and he says i understand about the food
baby bubbah but we’re still friends
with a hip hop the hippie to the hippie
the hip hip a hop a you dont stop the rockin
to the bang bang boogie
say up jump the boogie to the rhythm of the boogie the beat
i say hank can ya rock
can ya rock to the rhythm that just dont stop
can ya hip me to the shoobie doo
i said come on make the make the people move

i go to the halls and then ring the bell
because i am the man with the clientele
and if ya ask me why i rock so well
a big bang, i got clientele
and from the time i was only six years old
i never forgot what i was told
it was the best advice that i ever had
it came from my wise dear old dad
he said sit down punk i wanna talk to you
and dont say a word until i’m through
now there’s a time to laugh a time to cry
a time to live and a time to die
a time to break and a time to chill
to act civilized or act real ill
but whatever ya do in your lifetime
ya never let a mc steal your rhyme
so from sixty six til this very day
ill always remember what he had to say
so when the sucker mcs try to chump my style
i let them know that i’m versatile
i got style finesse and a little black book
that’s filled with rhymes and i know you wanna look
but there’s a thing that separates you from me
and that’s called originality
because my rhymes are on from what you heard
i didnt even bite and not a god d–m word
and i say a little more later on tonight
so the sucker mc’s can bite all night
a tick a tock yall a beat beat yall
a lets rock yall ya dont stop
ya go hotel motel whatcha gonna do today (say what)
ya say im gonna get a fly girl gonna get some spankin
drive off in a def oj
everybody go hotel motel holiday inn
ya say if your girl starts actin up then you take her friends
a like that yall to the beat yall
beat beat yall ya dont stop
a master gee am I mellow?
its on you so whatcha gonna do

well like johnny carson on the late show
a like frankie croker in stereo
well like the barkay’s singin holy ghost
the sounds to throw down they’re played the most

its like my man captain sky
whose name he earned with his super sperm
we rock and we dont stop
get off yall im here to give you whatcha got
to the beat that it makes you freak
and come alive girl get on your feet
a like a perry mason without a case
like farrah fawcett without her face

like the barkays on the mike
like gettin right down for you tonight
like movin your body so ya dont know how
right to the rhythm and throw down

like comin alive to the master gee
the brother who rocks so viciously
i said the age of one my life begun
at the age of two i was doin the do
at the age of three it was you and me
rockin to the sounds of the master gee
at the age of four i was on the floor
givin all the freaks what they bargained for
at the age of five i didnt take no jive
with the master gee its all the way live
at the age of six i was a pickin up sticks
rappin to the beat my stick was fixed
at the age of seven i was rockin in heaven dontcha know i went off
i got right on down to the beat you see
gettin right on down makin all the girls
just take of their clothes to the beat the beat
to the double beat beat that makes you freak
at the age of eight i was really great
cause every night you see i had a date
at the age of nine i was right on time
cause every night i had a party rhyme
goin on n n on n on on n on
the beat dont stop until the break of dawn
a sayin on n n on n on on n on…
like a hot buttered de pop de pop de pop
a saying on n n on n on on n on
cause i’m a helluva man when i’m on the mike
i am the definate feast delight
cause i’m a helluva man when i’m on the mike
i am the definate feast delight
come to the master gee you see
the brother who rocks so viciously
….

“Sunny”
Bobby Hebb
dall’album “Sunny” (Philips, 1966)

Sunny, yesterday my life was filled with rain.
Sunny, you smiled at me and really eased the pain.
The dark days are gone, and the bright days are here,
My Sunny one shines so sincere.
Sunny one so true, I love you.

Sunny, thank you for the sunshine bouquet.
Sunny, thank you for the love you brought my way.
You gave to me your all and all.
Now I feel ten feet tall.
Sunny one so true, I love you.

Sunny, thank you for the truth you let me see.
Sunny, thank you for the facts from A to C.
My life was torn like a wind-blown sand,
And the rock was formed when you held my hand.
Sunny one so true, I love you.

Sunny, thank you for the smile upon your face.
Sunny, thank you for the gleam that shows its grace.
You’re my spark of nature’s fire,
You’re my sweet complete desire.
Sunny one so true, I love you.

Sunny, yesterday my life was filled with rain…

Per motivi di lavoro lo scorso 12 Maggio ho spedito una semplice raccomandata andata/ritorno a Milano.
La cartolina dell’avvenuta ricezione da parte del destinatario l’ho ricevuta solo oggi. 28 Gennaio 2006.
La data impressa sulla cartolina indica 16 Maggio, ossia 4 giorni dopo la spedizione.
Dunque, ricapitolando: pacchetto Roma/Milano 4 giorni. Ritorno della cartolina Milano/Roma: più di 8 mesi.
Alla faccia di chi dice che ORA le Poste Italiane funzionano bene.

Le All Saints ci riprovano

In poche settimane le All Saints sono riuscite a fare quello che le Spice Girls predicano da mesi e i Take That hanno raggiunto a meta’: riunificarsi. La all girl band inglese torna dunque alla ribalta dopo lo scarsissimo successo ottenuto da ciascuna componente come solista. Il quartetto ha firmato da poco un nuovo contratto discografico con la Parlophone, gia’ loro etichetta ai tempi d’oro e iniziera’ dunque a registrare un album nelle prossime settimane.
(Fonte: Buongiorno Music Newsletter a cura di Federico Lazarovich – Immagine da: art.com)

P.S.: ma la prima da sinistra chi sarebbe? C’era già nella formazione iniziale? E’ anche la più carina di tutte.

“Sunny”
Montefiori Cocktail feat. Scanna
dall’album “Raccolta n.2″ (Irma Records, 2000)
cover di “Sunny” di Bobby Hebb dall’album “Sunny” (Philips, 1966)

Sunny,
se guardi nello specchio tu vedrai me
Sunny,
è tutta una vita che aspetto te.
Ti posso dar ciò che vuoi,
i sogni che hai
Non ho amato mai
una come te
Sai, Sunny
lo vedi dai
che mi amerai

Sunny,
neglio occhi tuoi c’è il sole che vive in me
Sunny,
io non credevo che il mondo amasse te.
Se tu ti fermi avrai
ciò che tu vuoi
Sono quello che non pensavi
ma tu Sunny,
non pianger dai.

Sunny,
so che tu ti chiedi ma perché
Sunny,
posso spiegarti io che cos’è
Se quello che tu vuoi
non hai avuto mai
Ecco io sono quello
che tu vuoi
Sunny,
lo vedi dai
che mi avrai

Sunny,
regalami un sorriso e ti amerò,
Sunny,
se solo tu lo vuoi ti implorerò
La regina tu sei
dei sogni miei
Non ho amato mai
una come te
Sai
Sunny lo vedi dai
che mi amerai
per sempre sai
che mi amerai
per sempre sai
che mi amerai
per sempre sai
che mi ameraiiiiiiiaiaiaiiaiai

Puntata n.13. Per la prima volta nella storia il programma ha raggiunto la punta di 18 ascoltatori! Grazie anche al traino alla rovescia effettuato dalla trasmissione di punta del canale, quella di Gianluca Neri a commento della sesta edizione del Grande Fratello.
Grazie a tutti quelli che mi hanno ascoltato anche oggi, ossia: Graffiii, Pialaura, Gianfranco, Jean Marc, Xavyer, Lavinia, Carlo, ecc.

La tracklist

The Gentle People – Groovin’ With You
George Benson – Poquito Spanish, Poquito Funk
Alicia Keys – If Ain’t Got You
Gwen Stefani – Luxurious
Notorious B.I.G. – Big Poppa
Articolo 31 – Solo Per Te
1000 Clowns – (Not The) Greatest Rapper
Busta Rhymes – Put Your Hands Where My Eyes Can See
N.E.R.D. – She Wants To Move
Eric B & Rakim – Paid In Full (Coldcut Remix)
Antonella Ruggiero feat. Subsonica – Per Un’Ora D’Amore
Subsonica feat. Bluvertigo – Disco Labirinto
Royksopp – Eple
Black Legend – We’ll Be In Trouble
Azymuth – Jazz Carnival
Dimitri From Paris – Free Ton Style (Monsieur D’s Classique Extension)
Nina Simone – See Line Woman (Masters At Work Remix)
Bobby Brown – Two Can Play That Game
Reggie Rough feat. Annette Taylor – Just Can’t Take It (Club Mix)
Dj T – Funk On You
Out Hud – It’s For You
Chicks On Speed – Wordy Rappinghood (Playgroup Remix)